"Mandating such proof could thus have the pernicious effect of depriving copyright owners of a practical remedy against massive copyright infringement in many instances," MPAA attorney Marie L. van Uitert wrote Friday to the federal judge overseeing the Jammie Thomas trial.

"It is often very difficult, and in some cases, impossible, to provide such direct proof when confronting modern forms of copyright infringement, whether over P2P networks or otherwise; understandably, copyright infringers typically do not keep records of infringement," van Uitert wrote on behalf of the movie studios, a position shared with the Recording Industry Association of America, which sued Thomas, the single mother of two.

What, so we should go by your say so?

Local mirror of MPAA's Thomas Brief

The MPAA routinely asserts that the movie business is being decimated by piracy, but the press release announcing the Weekly Reader deal sits just below a far more interesting piece of news (PDF): data that shows the US box office doing its biggest year of business ever in 2007, growing 5.4 percent over 2006 and bringing in $9.63 billion.

Local mirror of 2007 US Theater Market Stats

Unfortunately, Hollywood isn't quite as thrilled about my new HD Media Dream Machine and they've decided to punish me by revoking my Watch Now privileges from Netflix.

I first found out about the problem on New Year's Eve, when I went to log into my account. When I tried to launch a streaming movie, I was greeted with an error message asking me to "reset" my DRM. Luckily, Netflix's help page on the topic included a link to a DRM reset utility, but when I went to install the program, I stopped dead in my tracks when I saw this warning.

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The minute I saw "this will potentially remove playback licenses from your computer, including those from companies other than Netflix or Microsoft" I knew better than to hit continue. Before nuking my entire digital library, I decided to call Netflix's technical support, to see if I could get to the bottom of my C00D11B1 error message.

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Netflix's software allows them to look at the video card, cables and the monitor that you are using and when they checked mine out, it was apparently a little too high def to pass their DRM filters.

Because my computer allows me to send an unrestricted HDTV feed to my monitor, Hollywood has decided to revoke my ability to stream 480 resolution video files from Netflix. In order to fix my problem, Netflix recommended that I downgrade to a lower res VGA setup.

As part of their agreement with Hollywood, Netflix uses a program called COPP (Certified Output Protection Protocal). COPP is made by Microsoft and the protocol restricts how you are able to transfer digital files off of your PC. When I ran COPP to identify the error on my machine, it gave me an ominous warning that "the exclusive semaphere is owned by another process."

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I'm not allowed to watch low res Netflix files, even though I have the capability to download high def torrents? How does this even make sense? It's as if the studios want their digital strategies to fail.

I like one of the comments:

Just stop. Use Bittorrent. Don't feel bad about it. It's your civic duty. Educating CEOs is a time consuming and expensive process. It's taken ten years on the music side, probably it will take another 5 years on the movie side before they wise up and just start providing unencumbered files to paying customers.

It just doesn't make sense to buy something that is often lower quality and comes with a boatload of restrictions.

The Motion Picture Association of America (MPAA) has rejected Taxi's poster, displayed to the right, as being "not suitable for all audiences." The poster for the film simply shows two soldiers walking away from the camera, holding a hooded detainee between them. Variety notes that the military has also tried to censor the photo on the poster:

The "Taxi" ad art is actually an amalgam of two pictures. The first, taken by Corbis photographer Shaun Schwarz, features the hooded prisoner and one soldier. Another military figure was added on the left. Ironically, the original Schwarz photo was censored by the military, which erased his camera's memory. The photographer eventually retrieved the image from his hard drive.

According to ThinkFilm, which produced the documentary, the MPAA objected to the "image of the hood." Last year, the MPAA also censored the poster for the documentary The Road to Guantanamo, because it showed a detainee "hanging by his handcuffed wrists, with a burlap sack over his head and a blindfold tied around the hood."