There was some discussion last month about the proposed DRM for Mass Effect and Spore that required the game to phone home every ten days. They backed down from that, but have left in that a user is only allowed 3 activations per license key. A license key is burned up when the O/S is reinstalled, when certain hardware is upgraded (EA refuses to disclose specifics of what), and possibly when a new user is set up in Windows. Only in its first month, some users are already locked out of their games from trying troubleshooting techniques to get the game running.

Customers who have purchased music from Microsoft's now-defunct MSN Music store are now facing a decision they never anticipated making: commit to which computers (and OS) they want to authorize forever, or give up access to the music they paid for. Why? Because Microsoft has decided that it's done supporting the service and will be turning off the MSN Music license servers by the end of this summer.

What would happen if Apple went belly up? How many people would be stranded and unable to reauthorize their music libraries when they changed computers? This is why you never purchase (and by purchase, I mean lease) DRM'ed media.

John Perry Barlow, EFF co-founder: I am still optimistic. I didn't expect that the entire wealth of the industrial period would gracefully allow us to render them irrelevant. They're putting up a spirited fight, but I don't think they'll win. Victory comes to the patient. The content industry used to call me the devil, now the same people come to me for advice on how to make it work for them, they're abandoning their King Canute strategy. I don't think there's proof that downloading has cost the record industry billions, for the same reason that hearing a song on the radio doesn't cost a sale. There are lots of studies, but no one can say for sure. Last year I asked Cary Sherman if he'd co-design a study with EFF to give fair insight into what the losses or gains are from downloading. He said, "I don't think we can do that. I don't believe my constituents would allow that because it might turn out that you're right." Wouldn't they want to know? "No, I don't think it's like that with them." It's a matter of religious belief. They're near retirement, they can have any religion they want. They'll be replaced by the electronic Hisbollah they've created with their Draconian strategies, the wild-eyed 17-year-olds who hack DRM will beat the 55 year olds in posh cars in Bel Air.

Can we come up with a regime for regulating the economy of ideas and the way of getting paid for work you do with your mind that doesn't treat thought as a noun and therefore subject to being treated as property. The IP system is a gigantic kludge of patches that have been laid on in different regimes, as it all goes to bits, it needs to be harmonized with a regime that recognizes that this regulates the relationship of the creator and the audience.

When I attempted to watch the movie, however, the Apple TV displayed an error message: "This content requires HDCP for playback." HDCP (High Bandwidth Digital Content Protection) is a form of digital rights management (DRM) that prevents you from playing video over DVI and HDMI connections (in my case) if you don't own compatible hardware that can decode the signal properly. (In other words, HDCP is more crap DRM that does nothing but irritate legitimate customers.) Although I had downloaded the movie legally, my monitor apparently was too old to include HDCP and thus wouldn't display my movie.

Kudos to Apple for refunding his money, though.

Also worth pointing out that anyone who pirated this movie will have no problems watching it whenever they want on whatever hardware they want.

After a lot of hard work, we've finally released doubleTwist desktop. The goal of doubleTwist is to simplify the flow of media across devices and social networks. To give an example: say you shot a video with your Nokia N95 cellphone. How do you send that video to your friend and make sure he'll be able to play it on his iPod or Sony PSP? Yesterday, the easiest solution was to give up. As of today, the answer is doubleTwist. With doubleTwist, you'll be able to share and sync digital media without worrying about codecs and bitrates.

Unfortunately, Hollywood isn't quite as thrilled about my new HD Media Dream Machine and they've decided to punish me by revoking my Watch Now privileges from Netflix.

I first found out about the problem on New Year's Eve, when I went to log into my account. When I tried to launch a streaming movie, I was greeted with an error message asking me to "reset" my DRM. Luckily, Netflix's help page on the topic included a link to a DRM reset utility, but when I went to install the program, I stopped dead in my tracks when I saw this warning.

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The minute I saw "this will potentially remove playback licenses from your computer, including those from companies other than Netflix or Microsoft" I knew better than to hit continue. Before nuking my entire digital library, I decided to call Netflix's technical support, to see if I could get to the bottom of my C00D11B1 error message.

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Netflix's software allows them to look at the video card, cables and the monitor that you are using and when they checked mine out, it was apparently a little too high def to pass their DRM filters.

Because my computer allows me to send an unrestricted HDTV feed to my monitor, Hollywood has decided to revoke my ability to stream 480 resolution video files from Netflix. In order to fix my problem, Netflix recommended that I downgrade to a lower res VGA setup.

As part of their agreement with Hollywood, Netflix uses a program called COPP (Certified Output Protection Protocal). COPP is made by Microsoft and the protocol restricts how you are able to transfer digital files off of your PC. When I ran COPP to identify the error on my machine, it gave me an ominous warning that "the exclusive semaphere is owned by another process."

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I'm not allowed to watch low res Netflix files, even though I have the capability to download high def torrents? How does this even make sense? It's as if the studios want their digital strategies to fail.

I like one of the comments:

Just stop. Use Bittorrent. Don't feel bad about it. It's your civic duty. Educating CEOs is a time consuming and expensive process. It's taken ten years on the music side, probably it will take another 5 years on the movie side before they wise up and just start providing unencumbered files to paying customers.

It just doesn't make sense to buy something that is often lower quality and comes with a boatload of restrictions.

A Boston man has filed a class-action lawsuit accusing hardware maker HP and office supply retailer Staples of colluding to inflate the price of printer ink cartridges in violation of federal antitrust law. According to the suit, HP allegedly paid Staples $100 million to refrain from selling inexpensive third-party ink cartridges, although the suit doesn't make it clear how plaintiff Ranjit Bedi arrived at that figure.

For most printer companies, ink is the bread and butter of their business. The price of ink for HP ink-jet printers can be as much as $8,000 per gallon, a figure that makes gas-pump price gouging look tame. HP is currently the dominant company in the printing market, and a considerable portion of the company's profits come from ink.

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The companies have also turned to using the ink equivalent of DRM, the use of microchips embedded in ink cartridges that work with a corresponding technical mechanism in the printer that blocks the use of unauthorized third-party ink. Adding insult to injury, most printers are lying, filthy ink thieves, according to a recent study, misreporting that they are low on ink when they are not.

Note that HTML5 in no way required Ogg (as denoted by the word "should" instead of "must" in the earlier draft). Adding this to the fact that there are widely available patent-free implementations of Ogg technology, there is really no excuse for Apple and Nokia to say that they couldn't in good faith implement HTML5 as previously formulated. Throw your own theory here: DRM, proprietary control, et cetera.

The WHATWG had an opportunity here to eliminate the plugin morass (so 90's) in favor of a baseline format that each browser could implement. Just as HTML specified baseline formats for images (GIF and PNG), this should have been an opportunity to specify baseline free audio and video. And there's still a chance.

Please, please help this issue get more public scrutiny. Use whatever means you deem necessary. Exert pressure on the WHATWG (subscribe now, let your thoughts be read). Don't let special interests kill computing for all — now it’s time to take a stand!

On their mailing list, so far:

• [whatwg] Removal of Ogg is *preposterous*
• [whatwg] Removal off Ogg technology

Though even if the spec were written to reccomend (or even require) Ogg, since when did people actually code their websites to validate? It's been how long since we said "to hell with bad browsers"?

Nokia has filed a submission with the World Wide Web Consortium (W3C) objecting to the use of Ogg Theora as the baseline video standard for the Web. Ogg is an open encoding scheme (On2, the company that developed it, gave it and a free, perpetual unlimited license to its patents to the nonprofit Xiph foundation), but Nokia called it "proprietary" and argued for the inclusion of standards that can be used in conjunction with DRM, because "from our viewpoint, any DRM-incompatible video related mechanism is a non-starter with the content industry (Hollywood). There is in our opinion no need to make DRM support mandatory, though."

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So DRM is by definition proprietary. If it's not proprietary, it can't be DRM.

And, of course, Ogg Theora is not proprietary. It does have some patents covering it, but those patents have been surrendered, to all intents and purposes.

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Some Slashdot commenters have pointed out that they have technical problems with Ogg Theora. That's a valid discussion to have -- if the W3C is going to pick a video codec, its technical merits should be discussed. But remember, that's not what Nokia is objecting to: they are arguing that Ogg is proprietary (it isn't) and that DRM should be part of a Web standard (it shouldn't). PDF link to Nokia's W3C submission, Link to Slashdot comments.

Local mirror of Nokia's submission to W3C regarding Ogg Theora

Random House and eMusic have begun to sell DRM-free audiobooks on their site. This is pretty big news, since iTunes has an exclusive deal with Audible for ebooks, and Audible won't sell non-DRM ebooks (though they have other non-DRM products), even when the author doesn't want any DRM.